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LEBANON

By Yusra Al-Ayoubi

 


Act Two

Scene One

Scene Two

Scene Three

Scene Four

Scene Five

Scene Six

Scene Seven

Act Two - Scene Six

(In a Palestinian camp)

Refugee

When shots come from above

Don't reply, dearly it costs

They want to draw us to a battle

And black September returns

Behind us, in front of us all

We encounter machine-guns

A scheme planed time ago,

 to assassinate us by free charge.

Let us defy danger.

Let us storm the place

They want us to control our nerves,

 and make settlements,

 on our account.

Let the earth now shake

Either we die or are victorious.

After we left our homes by force,

            Will find in another no esteem.

            Shower of shots come from above,

            From machine guns and cannons.

Besieged by camions, armored vehicles

And cars standing in front of buildings

For whom are all these preparations?

Why people immigrate?

Why the wealth of nation fled?

Our commanders are taking vacations

Occupied by conciliations

Disarming our organizations

Saying they don't want to engage in fighting

Nor to give orders

Nor to gather for suggestions

They are discussing mutual recognition

Begging from their aggressors

Their liberty, their crumb state

What have you done for your nation?

What have you done for their fate?

Their revolution is Kan Yama Kan

Gather to drink tea

To exchange, jokes and idle chatter

To sit around tables wheeled by exquisite food

To walk with guards around

Their photos in magazines appear

Their faces happy, full of laughter

Are we going astray

Are we fighting for fighting?

Thirty years in camps passed away

Murdered by both brothers and foes

Without fighting

Yesterday one of our leaders, a big mind

Married and gave his bride

Quarter million for her dowry

Another million over due

For snobbery

From the revolution's due

Another one gave his daughter in marriage

In Meridian hotel held her celebration

Invited people Kan ya ma Kan

Music band enters

Orchestra leaves

A father enjoying

His daughter's wedding

But why does he accept presents

From princes and subjects

As the God -father in tales

A revolutionist who wants to live

A life of princes and Sultan?

Another one, a peasant's son

His father had an honest history

He doesn't want to marry

But a Queen of beauty

A young man, brave,

 Handsome and upright.

All young women desire

To have a glance

From his glance full of light

His heart full of fire

Why chose he to be a prey

Heart and soul to surrender

His springy step to stumble down?

Hasn't he ever heard

Of Dalila and Samson?

Chorus

This not the way of true revolutions

These revolutions don't succeed

This is the way of settlements

The way of deterioration and defeat

We the young men of the camps

Pay victims by thousands

How many coffins

Every day we carry

How many holes

We dig to bury

Guivara had no money to spend

On his children's boots worn out

Hoshe Mine in his seventy

Used to sleep on earth with the military

The life of revolutionists

Is full of dangers

Not when crisis is intense

As ghosts they evaporate

Not heeding our breasts

Bare to machine - guns

Unarmed, bleeding


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